New Books

Mini Dalmatiner

Ich  war nicht ganz untätig in der letzten Woche. Aber es ist noch viel zu tun – was Kunst und Handwerk anbelangt, und privat ist auch gerade eine Menge los (ein Familienfest nach dem anderen mit Besuch und was nicht zwischendurch). Deshalb fasse ich heute nur mal zusammen, was ich in der letzen Woche so gemacht habe.

While you were reading rather short posts during the last week, I was busy with making more books. My private life was also demanding that week and will be for at least another week: A confirmation, graduation and other festivities on the weekends and some visits in between. Therefore there is also still a lot left to be done (and another visitor will arrive tomorrow). So today I will just list what I did and made during the past days.

I started to write up how to do the colored headbands with which I experimented recently. I first wrote up how to do the plain two-colored version, enriched with photos taken during making this cute doggie mini book. The headbands look a bit overwhelming on the small version. *Sigh*, maybe I’ll shoot photos again with another book.

Zunächst einmal habe ich angefangen, aufzuschreiben (vor allem erstmal für mich selbst) wie die verschiedenen mehrfarbigen koptischen Kapitalbänder gemacht werden, mit denen ich letztens experimentiert habe. Zur Erklärung gibt’s Photos, die ich geschossen habe, während ich dieses Mini Buch mit Dalmatinernmit Kapitalbändern geschmückt habe. Aber um alles nochmal übersichtlicher zu machen, will ich vielleicht noch einige schematische Zeichnungen hinzufügen. Erste Versuche dazu hatten allerdings eher einen vernebelnden, als einen erhellenden Effekt. – Gute Skizzen sind da wirklich nicht so einfach zu machen!

Furthermore I continued a very old series with the following books. The series was and is called ‘chocolate book and soup volume’:

Ich habe außerdem mit diesen Mini Ritter Sport Büchern (10 habe ich jetzt, und damit reicht’s erstmal) und den Thai-Instant-Suppenbüchern oben die uralte Serie “Schokoladenheft und Suppenbuch” weitergeführt. Die Bücher oben gefallen mir jetzt doch ziemlich gut. Das sind die Buchblöcke, die ich noch von meinen ersten Versuchen mit selbstgestochenen Kapitalbändern hatte. Damals hatte ich mich geärgert, dass die Farbe von den Seiten abblättert. Ich habe das also durch ein bisschen Schmirgelpapier verstärkt: Nun sieht es ein wenig gleichmäßiger abgewetzt aus, und ich bin mir ziemlich sicher, dass nichts mehr weiter abblättert. Ritter Sport Mini - New Batch of 10

Außerdem habe ich angefangen, Photoalben zu machen. Das untern ist das erste, dass ich im Laufe des Tages auch auf Etsy einstellen will. Und nicht zuletzt habe ich in der letzten Woche sehr erfreuliche Post bekommen: 2 Bücher aus swaps (und einige für die ich bezahlt habe). Die werde ich aber in einem nächsten Eintrag vorstellen. Ich wünsche einen guten Start in die neue Woche!

And I also started to make photo albums. The one below will be the first I’ll also list on Etsy in the next hours. And last but not least: I received pleasant mail: 2 books that I got from different swaps. I’ll show them off in the next post. I wish you a pleasant start into the new week!

Blue Photoalbum with Dogs

Makeshift Tracing Table

makeshift tracing table
makeshift tracing table

Das ist mein neuestes provisorisches Werkzeug. Zwei der fünf Projekte, die ich gerade mache, erfordern zumindest teilweise ein Nachziehen und Abpausen von vorher Gezeichnetem. Als ich heute mal wieder immerzu mein Papier Richtung Fenster gehalten habe, habe ich also das hier gebaut.
Ich bin ganz stolz, dass ich dafür alle möglichen Dinge wiederverwende und fast alles auch anders gebraucht wird: Die Glasplatte benutzte ich auch beim Drucken und zum Leder schneiden, wenn ich Kleisterpapier mache oder Stoff mit Papier hinterklebe. Und die in Papier eingewickelten Steine benutze ich sonst als Beschwerer für gefaltete Lagen.

This is my newest makeshift tool – a tracing table.

The glass is one of two left over boards from a cupboard. I use it frequently when printing and/or cutting leather. Now I have found yet another use. The light bulbs and the sockets are ripped off a lamp that I wasn’t using anymore, and are fitted into a cardboard box in which I received my latest order from Talas.

The table is resting on bricks  that I got out of the trash where they tore down an old building:

bricks wrapped in construction paperbricks wrapped in construction paper

I cleaned it from most of the mortar, first with a hammer and then with some sand paper. Then I first wrapped it into Kraft paper (that’s supposed to keep the dirt inside and to cushion the remaining hubs and bumps) and then into the construction paper for a nicer look and feel.


I am reading “The Century of Artists’ Books” by Johanna Drucker at the moment. Or rather I have been reading it for almost 4 months now and still I have not reached the 100th page yet. It’s not boring, but it’s a difficult read. And I don’t want to write about the book as a whole today anyway. Only on page 41 I found a paragraph that I really liked and want to share with you today. Don’t be scared by her first sentence – the meaning of what she says will become clearer in the following sentences:

bibel offen

The book after all is as essential in its many functional and vernacular aspects and as inspiring in its many serviceable forms and formats as it is in its more poetic evocations. The efficient density of the telephone book, for example, which provides a tactile and visual satisfaction through the thin quality of its paper, a paper which amounts in the bound form to a flexible dense object makes a striking contrast to the pleasures provided by a new notebook, its blank sheets full of promise and opportunity. In its familiar form the paperback novel, impressed with the tacky curve of an outrageously molded form, die-cut, foil stamped, and turning brittle on the same trip on which it is purchased announces its ephemerality without shame, eschewing all commitment from the very first, while the heavy pages of a traditional photo album absorb memory into their dense field and hold it safe, still, silent and waiting. The inexpensive dimestore diary is of another form altogether, making believe there is a life worth noting as a series of secrets whose value derives form the tiny key which locks them in nightly more than from the childish scribblings in which they are generally, briefly recorded; while the crossed and criss-crossed palimpsest of the pocket-sized address bock provides a whole history of a real life, though none of its narrative fullness. Every book is a metaphor, an object of associations and history, cultural meanings and production values, spiritual possibilities and poetic spaces, and all of these are a part of the field from which the artist’s book derives its identity, its shared connections and distinguishing features as a book whose realized forms and thematic intentions are only the most evident aspects of its totality as an idea.

Text cited from:

Johanna Drucker, The Century of Artists’ Books, Granary Books, New York City

Two-Colored Coptic Headbands

double 01

This weekend I have been experimenting with two-colored Coptic headbands. The principle is always the same: Chain stitches along the book boards.

These are so straight forward generalizations of the Coptic headband as I have learned to do them that I can’t believe it has not been done before. I don’t know of any written source that covers the making, though. If you know one, please let me know. The names you’ll see below are just my own – probably they already have different names. I’d be glad to learn these names if you know them.

When I first thought about Coptic double headbands, I thought of what I will call below the true double headband. But it took me a while (two hole days) to figure out how to make it. And on the way I found some other variations of the theme, some useful and others plainly ugly. Here are those that I think I might be doing again:

twocolored coptic headbands 10

This is the most simple version and no double headband at all – it’s just two colored.

fake double 02
This are two versions of what I would call fake double headbands. It is really just two headbands side by side. The brown and yellow is done in opposite directions: one (the brown) from right to left and the other from left to right. For the brown-olive version I made them both from right to left.
On the left you see the view from outside the boards.

fake double 03
Fake double headbands, seen from inside the boards.

poor double 05
This is what I call a poor double headband. It is a simple headband (white) with the red string additionally looping around. The result is asymmetric. On the left you see it from outside the boards.

poor double 04
And this is the poor double headband seen from inside the boards.
– The treads are not cut-off properly, sorry.

plain double 09
This is what I would call a plain double headband and I think the most beautiful result that I have so far. The blue-white is really the same as the brown-olive that you see at the edge of the picture. It’s just less dense and more evenly woven. This is the view from outside the boards.

plain double 08
The plain double headband seen from inside the boards.

true double 06
And finally this is what I call a true double Coptic headband: It features chain stitches with two threads, here in two colors, that are truly and symmetrically interlooped. This is the view from outside the boards.

true double 07
The true double Coptic headband seen from inside the board.

So, what do you think, do you like these two-colored headbands? And which one do you like best?

Sorry that I can’t present them on a real book – I spent all the time figuring out how to do them, and didn’t have time yet to fit them on a book. I think they would look best on a book with really thick, maybe wooden, boards.

I wish you a good start into this new week. Thanks for reading!

Thinking, Sorting, Planning

I'm using my Maxi Book :-)
I'm using my Maxi Book 🙂

Today I’m trying to figure out what I should be doing next. My main question is: Should I start something completely new? Or should I better work out some old ideas? I’m for example thinking about whether I should make an improved, bigger version of “becoming buechertiger” into an edition.  But I also have so many new ideas that I really want to try – should I be wasting time with old ideas?
While thinking about what to do next, I never got started with doing anything in the past days.

So I decided to sort it all out: This morning I made the following diagram that was meant to help me understand how my different pieces of art connect, and what aspects in my previous work were important.

my try to get a picture of where I am going
my try to get a picture od where I was going 🙂

The general plan was to then group my new ideas into these newly found categories. And decide in which of these broader concepts I want to keep on working. (Have a look at a set containing many of them, – they are roughly sorted by finishing date, newest first.)

My trials to understand where I come from were not so über-successful, though.

I can’t help but laugh about my inability to come up with a good way of picturing that. Does that mean that it’s good or bad that I never took a graph theory seminar while still studying maths?

Despite the failure of the initial plan I managed to narrow down my 15 ideas to 5  “do immediately”-plans.

But I have no idea with what to start first. All you guys out there who went to art school and learned how to do that: Which are the criteria that make you decide for one and against another project? Probably I should simply throw a dice.

Just to let you know that it’s not forgotten: I mentioned in a comment recently that I am working on a method for double Coptic headbands. I came up with one and a half methods which sort of work. I’ll try to make them more perfect and make a book which is suited to present them. This is one of my many plans for the weekend. Let’s see what I will be able to present on Monday.

Have a nice weekend and thanks for reading!